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MUNGO NEWS
Coming Soon

 

 

Web Design by:
Hadi Sim

 

Information

What is on the disc?
Two separate lines of scientific inquiry combine to make the Willandra landscape qualify for World Heritage listing. These involve two major heritage values:

  1. Natural heritage, with its story of geological evolution and dramatic records of past climatic change, provides one of the best examples of this land's response to Ice Age environments.
  2. Human cultural records, with an extraordinary array of archaeological treasures, preserve a tapestry of the earliest Australians, their lives, the landscape they inhabited, their cultural patterns and examples of the skeletal remains of people themselves.

The disc then combines a wide range of both geological and archaeological information. These two scientific aspects are brought together to provide a realistic understanding of this region's unique heritage qualities.

In addition, the social and even political implications of the discoveries at Lake Mungo have now taken on quite new meaning as indigenous communities to take their place in the management of their own cultural heritage. Such developments have profound significance where the path to reconciliation is now assisted by the great time depth at Mungo of human occupational records. The CD emphasises these developments.

Area covered by the CD
Within the Willandra Lakes World Heritage area, the CD focuses on Lake Mungo and its adjacent basin, Outer Arumpo. This selection is based on two reasons:

  1. It was the discoveries at Lake Mungo which brought the region to world attention. It remains a central source of the most important scientific data available from the entire region.
  2. Lake Mungo remains the central focus of the New South Wales National Park, the region dedicated to public visitation. The disc provides detailed information supporting visitation to the Park.

In addition, important information is provided from several localities outside the area accessible to visitors. In this way the disc offers a wide range of scientific data, complementing that provided by the National Park information services.

Why produce this disc?
There are essentially two reasons why I have spent years producing this CD.

Firstly, after some 30 years research in the region, I had accumulated a large data set, much of which was not available in published form. Additionally, where information had been published in scientific journals, like so much academic work, it remains on library shelves unavailable to the people who most need it, schools, tourists or people who actually live in the area.

Producing a book was one option, but the data set were so large and complex making any printed version very difficult to manage. In this age of digital technology, I concluded that if the data were at least digitised they may be made available in different formats, on the WEB, in printed form or, as opted for here, on compact disc.

Secondly, this is a subtle landscape. Many people drive or walk across it and actually "see" very little. There is a great need to interpret the landscape in terms available to every Australian. The CD attempts that task.

Who produced it?
The CD could not have been completed without three substantial avenues of assistance.

Firstly, in terms of its design, the layout and presentation of both the disc and accompanying booklet is the sole creative effort of designer, Myrawin Nelson of Seagreen Graphics, 72 Queen St, Altona, 3018.

Secondly, the software that provides the structure, linkages and complex driving mechanism for the disc was developed by Hugh Campbell (Highbrow Graphics, 371 George St., Fitzroy 3065) using DIRECTOR, the Macromedia software package.

Thirdly, the project was supported financially by a grant from the Murray-Darling Basin Commission and Apple University Development fund. Within the University of Melbourne, the School of Earth Sciences together with the Faculty of Science have provided substantial personal and technical support throughout the entire duration of the project.

The concept and content remain the responsibility of myself, Jim Bowler, assisted from time to time by technical support (Michele Smith, Kirsty Douglas, Judith Hill).

What is the disc is used for? Why should I buy it?
This is one of the great stories of Australia. It is the story of Ice Age environments and of the people who lived through those ancient times. It is a story of indigenous cultural history, of the lives and times of those first Australians. It is a story of Jim Bowler's journey of discovery told in his own words. A rare combination of autobiography and frontier science, the disc provides a rich data source integrating aspects of natural, cultural and current social history in this unique World Heritage region. It provides a most fertile source for a wide range of school project interests.

What do reviewers say about it?
The Soil Science Society of Australia's Karen Smith sums up:

"From the first minute I was hooked on this CD. It starts with a simple slide show, and the voice of Jim Bowler saying:

This is a story about Australia.
A story of a landscape with a fascinating history.
A story of a people who lived in and interacted with that landscape for more than forty thousand years.

What does it mean to be Australian?
How are we influenced by the land we live in, and by these ancient people who lived in this landscape before Europeans arrived...?

This CD explores landscape change and environment evolution. It is ambitious and bold in its attempts to do so. Like most things, it has its strengths and weaknesses, but overall it is fabulous. It is information dense and has both manual and automatic features. An introductory guided tour will take 15 minutes. Jim's voice over will guide you through maps and photos of Lake Mungo, and put it in the broader context of the Murray Darling Basin. The CD explores Australia in geological time, the Murray Darling basin, the western plains, environmental processes, Mungo geology and archaeology, people and management, and people and land synthesis. Exploring these aspects of Australia and Lake Mungo is enough to make it extremely worthy from a scientific point of view, but it is much more than this.

This CD is also the story a personal journey that started for Jim in 1967, when he began a survey of then un-named lake basins in western NSW. It is also the story of how Mungo National Park was formed, and of how within 14 years the lakes would be named the Willandra Lakes System, and become one of Australia's World Heritage areas. "

What do I get for my dollar?
Please refer to Order CD section.

What equipment do I need to run the CD?
The CD is compatible with both PC and MAC computers.

For PC and IBM machines

Minimum:
Pentium processor 233mhz, 32mb RAM, 4 x CD-ROM drive.

Preferred:
Pentium II processor 350mhz, 64mb RAM, 24 x CD-ROM drive.

Windows 95 / 98 / NT 4 / 2000 Professional /XP

For Macintosh

Minimum:
PowerPC 200mhz, 48mb RAM, 4 x CD-ROM drive.

Preferred:
G3 233mhz, 64mb RAM, 8 x CD-ROM drive.

MacOS 8.6 or higher

The CD requires the presence of QUICKTIME on your computer. A copy of the relevant version is available on the disc. If it is not available on your computer, a warning file will show when you try to load the disc. This will ask you if you wish to install the QUICKTIME file available on the disc. Once installed, the program should run.

If you encounter difficulties, check the Technical Support options on this site.

How do I purchase a copy of the disc?
Please refer to Order CD section.

What issues sensitive to indigenous communities?
In entering into discussion about burial sites and human remains, the disc touches on issues of great sensitivity to indigenous community groups. Disc production has involved detailed discussions with community elders, involving representatives of the Barkindji, Nyiampaa and Mutthi Mutthi communities. Where skeletal remains are displayed, they are done so only after permission has been given by the indigenous community. Community elders were shown and approved advance copies of the disc before its release.

Despite these approvals, the viewer is asked to respect images of skeletal remains as if they were a record of one's own individual relatives.

Where individual interviews or photographs have been used, each person has authorised use of that file

Last modified: 5-aug-03